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For some of the Indian diasporans present, the immediate power of theatre and performance obviously created a potent feeling of being in India, albeit without any travel.

Almost mirroring the dualities of its lead characters, evoked a shifting transformation between home and the diasporic space within the theatre.

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was originally commissioned by London's Globe Theatre for its 2012 Globe to Globe festival, which required that performances could not be in English.

The whole company then sings along with her, in Hindi, with no subtitles, in a moment of shared longing, poignancy, and emotion.

Immediately after, Sebastian enters noisily with a cell phone, breaking the tension.

It offers energetic music, dance, and clowning along with poignant moments of yearning and compassion, inviting the audience into a transnational space that warmly embraced Shakespeare, , and love in all their changes.

In Our co-authored review arises out of an extremely generative conversation about the performance.

Here Melissa Walter would like specifically to acknowledge Prabhjot Parmar's insights regarding the significance of this production in Canadian diasporic space, the meaning of ", ed.

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